@the source homepage Issue #38
Bar and Bat Mitzvah in Israel: The Ultimate Family Sourcebook,
by Deborah Rosenbloom and Judith Isaacson
Updated contact information will be sent
upon request by e-mail.

Double-Pronged Mitzvah

7: Gifts and More Gifts

6: Ben's Teffilin Tiyul

5: Bar Mitzvah Gibush

Bar Mitzvah in the Wake of Terrorism

4: The Magic Age of 13

3: Ben's Bar Mitzvah

2: Ben's Bar Mitzvah

Lila's Bat Mitzvah. 1

New Online Diary: Ben's Bar Mitzvah

Online Diary of a Bat Mitzvah Planning Parent

Post Bat Mitzvah Reflections

 
Pete
Sounds of Music

How can a love of carpentry and music be combined to become a labor of love? Well, it takes some creative thinking, but Peter Isacowitz does not lack creativity. A former South African, Pete now lives in Rosh Pina, a small mountainside town of winding cobblestoned paths that was first settled a hundred years ago. It is here, at Woodsong, that Pete creates "musical furniture" and musical instruments inspired by cultures around the world.
Pete playing the didgeridoo
We'll let Pete tell you in his own words how this all came about.
"How did I get into all this stuff? Ever since I was a kid, I was moved by music, and have played guitar and harmonica since age twelve. Some of my early, strong memories were of going with my parents to watch tribal dances on the gold mines near Johannesburg. I was totally taken by the music, dance and the instruments, especially the marimbas. All my adult life I've been interested in musical instruments and have run after information wherever I could find it."
"When I came on Aliyah in 1979, I did a retraining course in cabinet making and carpentry, which greatly improved my woodworking skills. So building musical instruments became a serious hobby, which occupied every bit of my spare time."
"I started experimenting with doorharps about 15 years ago, giving them to friends and family as gifts. My first serious instrument was an electric base guitar, and then a series of Celtic harps. Later, I began experimenting with xylophones and marimbas."
Doorharp in the shape of Hamsa
"During my 13 years on kibbutz, I was always collecting and storing wood from all kinds of sources. From discarded crates and pallets, to logs of avocado and apple wood, pruned from trees in the orchards. So, with all the wood I had, I started playing around with weird ideas I'd had in my head for years, namely, furniture and decorative items, which could also play music. I was very moved by a poem I read in the introduction to a book on guitar-making."
I was alive in the forest
I was cut by the cruel axe
In life I was silent
In death I sweetly sing.
"In fact, the name "Woodsong" was very much inspired by the concept of bringing old wood back to life and helping it to sing.
Doorharp
I forgot to mention the didgeridoo, an ancient Australian Aboriginal wind instrument, whose sounds very much invoke prehistoric times. I first heard the didgeridoo years ago, on seeing the Australian movie, "The Last Wave", and was mesmerized by its haunting sound. I started experimenting with my own versions, using plastic irrigation pipes, and eventually worked out techniques for making them out of wood.
I try to give my instruments a warm, friendly feeling, and people can participate in a hands-on guided musical tour, which includes a talk and a demonstration on the instruments."

Text by J. Isaacson. Photos by permission of Woodsong.

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